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Collects Inferno (2021) #1-4. He changed everything for mutantkind with HOUSE OF X and POWERS OF X. He explored the new Krakoan era in X-MEN. Now the keeper of the mutant flame, Jonathan Hickman, presents his final, incendiary X-saga! Mystique, former terrorist and espionage agent supreme, is loyal to Professor X's Quiet Council for one reason only: the promise that someday he will resurrect her beloved Destiny. But when Moira MacTaggert helped Professor X and Magneto realize their lifelong dreams for mutantkind, it came with one condition: Do not allow any precognitive mutants on the island of Krakoa. What will Mystique do when she realizes she's being strung along? Vengeance burns hot, and Mystique is about to ignite an Inferno! And where has the elusive Moira been all this time, anyway?
Allan Carpenter escaped from hell once but remained haunted by what he saw and endured. He has now returned, on a mission to liberate those souls unfairly tortured and confined. Partnering with the legendary poet and suicide, Sylvia Plath, Carpenter is a modern-day Christ who intends to harrow hell and free the damned. But now that he's returned to this Dantesque Inferno, can he ever again leave? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Charles S. Singleton's edition of the Divine Comedy, of which this is the first part, provides the English-speaking reader with everything he needs to read and understand Dante’s great masterpiece. The Italian text here is in the edition of Giorgio Petrocchi, the leading Italian editor of Dante. Professor Singleton’s prose translation, facing the Italian in a line-for-line arrangement on each page, is smooth and literate. The companion volume, the Commentary, marshals every point of information the reader may require: vocabulary; grammar; identification of Dante’s characters; historical sources of some of the incidents and, where pertinent, excerpts from those sources in their original languages and in translation; profound clear analysis of the Divine Comedy’s basic allegory. There is a complete bibliography of every aspect of Dante studies. This first part of the Divine Comedy which is illustrated with maps of Italy and the region Dante knew especially, diagrams of the circles of Hell, and plates showing some of the historic sites mentioned by Dante in his poem.
'There will be an island - not the first, but the last...' Promises were made. Promises were broken. The rulers of Krakoa have been playing a dangerous game with a dangerous woman, and they are about to see how badly that can burn them. Mastermind of the X-Men Jonathan Hickman brings his plans to a head, joined by an incredible lineup of artists beginning with Valerio Schiti... as one woman follows through on her promise to burn the nation of Krakoa to the ground. Collecting: Inferno (2021) 1-4
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.
In this superb translation with an introduction and commentary by Allen Mandelbaum, all of Dante's vivid images--the earthly, sublime, intellectual, demonic, ecstatic--are rendered with marvelous clarity to read like the words of a poet born in our own age.
Dante's immortal vision of Hell shines "as it never did before in English verse" (Edward Mendelson) in Clive James's new translation of Inferno. The most captivating part of perhaps the greatest epic poem ever written, Dante's Inferno still holds the power to thrill and inspire. The medieval equivalent of a thriller, Inferno follows Dante and his faithful guide, Virgil, as they traverse the complex geography of Hell, confronting its many threats, macabre punishments, and historical figures, before reaching the deep chamber where Satan himself resides. Now, in this new translation, Clive James communicates not just the transcendent poetry of Dante's language but also the excitement and terror of his journey through the underworld. Instead of Dante's original terza rima, a form which in English tends to show the strain of composition, James employs fluently linked quatrains, thereby conveying the seamless flow of Dante's poetry and the headlong momentum of the action. As James writes in his introduction, Dante’s great poem "can still astonish us, whether we believe in the supernatural or not. At the very least it will make us believe in poetry."