A #1 INTERNATIONAL BESTSELLER The newest crime novel sensation: In this shocking and suspenseful psychological thriller, a police detective must confront a monstrous evil that forces her to question how much suffering one person can inflict upon another before creating a monster. In a Stockholm city park, police discover the mutilated body of a young boy. Detective Superintendent Jeanette Kihlberg heads the investigation, battling an apathetic prosecutor and a bureaucratic police force unwilling to devote resources to solving the murder of a nameless immigrant child. But with the discovery of two more children's corpses, it becomes clear that a serial killer is at large. Jeanette turns to therapist Sofia Zetterlund for her expertise in psychopathic perpetrators and their lives become increasingly intertwined, professionally and personally. As they draw closer to the truth about the killings--working together but, ultimately, each on her own--we come to understand that these murders are only the most obvious evidence of a hellishly insidious evil woven deep into Swedish society. As viscerally dramatic as it is psychologically intense, The Crow Girl is a tale of almost unfathomably heinous deeds, and of the profound damage--and the equally profound need for revenge--left in their wake.
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The International Sensation It begins in a Stockholm city park where the abused body of a young boy is discovered. Detective Superintendent Jeanette Kihlberg heads the investigation, battling an apathetic prosecutor and a bureaucratic police force unwilling to devote resources to solving the murder of an immigrant child. But with the discovery of the mutilated corpses of two more children, it becomes clear that a serial killer is at large. Superintendent Kihlberg turns to therapist Sofia Zetterlund for her expertise in the psychopathology of those who kill, and the lives of the two women become quickly intertwined—professionally and personally. As they draw closer to each other and to the truth about the killings, what surfaces is the undeniable fact that these murders are only the most obvious evidence of an insidious evil woven deep into Swedish society.
The international thriller sensation It starts with just one body – the hands bound, the skin covered in marks. Detective Superintendent Jeanette Kihlberg is determined to find out who is responsible, despite opposition from her superiors. When two more bodies are discovered, it becomes clear that she is hunting a serial killer. With her career on the line, Kihlberg turns to psychotherapist Sofia Zetterlund. Together, they expose a chain of shocking events that began decades ago – but will it lead them to the murderer before someone else dies? 'A compulsive page-turner' Sunday Express 'Compelling... we are left gasping for breath' Daily Mail 'There's a fantastic twist... the pace of its revelations is relentless' Observer
A timeless novel about the kindness of strangers Near a little cove where a brook runs out to the sea live a girl and her grandmother. All alone with no neighbors at all, the two lead a peaceful existence. They have a house, dine on sea kale and mussels and sand snails, and build fires from driftwood. But the grandmother is very old. When the time comes that the girl must bury the woman, she makes up a funeral song about the birds she is watching: Two crows never fly alone, and death is never, ever past. The next day the same crows seem to beckon her, and so the Crow-Girl begins her journey, one in which she will meet people both warm and cold, hurt and hurtful. And the Crow-Girl, before she knows it, has the makings before her of a new family . . . This lyrical story, with its characters' moments of darkness always overcome through incredible humanity, introduces a strong new voice for American readers.
“The sun came out after the war and our world went Technicolor. Everyone had the same idea. Let’s get married. Let’s have kids. Let’s be the ones who do it right.” The Way the Crow Flies, the second novel by bestselling, award-winning author Ann-Marie MacDonald, is set on the Royal Canadian Air Force station of Centralia during the early sixties. It is a time of optimism--infused with the excitement of the space race but overshadowed by the menace of the Cold War--filtered through the rich imagination and quick humour of eight-year-old Madeleine McCarthy and the idealism of her father, Jack, a career officer. Ann-Marie MacDonald said in a discussion with Oprah Winfrey about her first book, “a happy ending is when someone can walk out of the rubble and tell the story.” Madeleine achieves her childhood dream of becoming a comedian, yet twenty years later she realises she cannot rest until she has renewed the quest for the truth, and confirmed how and why the child was murdered.. Publishers Weekly, in a starred review, called The Way the Crow Flies “absorbing, psychologically rich…a chronicle of innocence betrayed”. With compassion and intelligence, and an unerring eye for the absurd as well as the confusions of childhood, , MacDonald evokes the confusion of being human and the necessity of coming to terms with our imperfections.
As this enthralling epic nears its climax, the young heroine’s brother discovers his own hidden gift — and the role he must play in battling the Dark. Hem is a weary orphan whose struggle for survival ends when he is reunited with his lost sister, Maerad. But Maerad has a destiny to fulfill, and Hem is sent to the golden city of Turbansk, where he learns the ways of the Bards and befriends a mysterious white crow. When the forces of the Dark threaten, Hem flees with his protector, Saliman, and an orphan girl named Zelika to join the Light’s resistance forces. It is there that Hem has a vision and learns that he, too, has a part to play in Maerad’s quest to solve the Riddle of the Treesong. As The Crow continues the epic tale begun with The Naming and The Riddle, Alison Croggon creates a world of astounding beauty overshadowed by a terrifying darkness, a world where Maerad and Hem must prepare to wage their final battle for the Light.
Lila is bullied because of her dark skin, but the crows have a solution for that! Lila has just moved to a new town and can't wait to make friends at school. But on the first day, a boy points at her and shouts: "A crow! A crow! The new girl's hair is black like a crow!" The others whisper and laugh, and Lila's heart grows as heavy as a stone. The next day, Lila covers her hair. But this time, the boy points at her dark skin. When she covers her face, he mocks her dark eyes. Now every day at school, Lila hides under her turtleneck, dark glasses, and hat. And every day when she goes home, she sees a crow who seems to want to tell her something. Lila ignores the bird and even throws rocks at it, but it won't go away. Meanwhile, the great autumn festival is approaching. While the other kids prepare their costumes, Lila is sadder and lonelier than ever. At her lowest point of despair, a magical encounter with the crow opens Lila's eyes to the beauty of being different, and gives her the courage to proudly embrace her true self.
Brimming with confidence after her spooky display at the Halloween party and with love on the horizon, Lily and her best friend Marsha decide to take on the bullies so they know she is not a girl to be messed with any more.
Mary Lawson's debut novel is a shimmering tale of love, death and redemption set in a rural northern community where time has stood still. Tragic, funny and unforgettable, this deceptively simple masterpiece about the perils of hero worship leapt to the top of the bestseller lists only days after being released in Canada and earned glowing reviews in The New York Times and The Globe and Mail, to name a few. It will be published in more than a dozen countries worldwide, including the U.S., the U.K., Germany, Italy and Bulgaria. Luke, Matt, Kate and Bo Morrison are born in an Ontario farming community of only a few families, so isolated that “the road led only south.” There is little work, marriage choices are few, and the winter cold seeps into the bones of all who dare to live there. In the Morrisons’ hard-working, Presbyterian house, the Eleventh Commandment is “Thou Shalt Not Emote.” But as descendants of a great-grandmother who “fixed a book rest to her spinning wheel so that she could read while she was spinning,” the Morrison children have some hope of getting off the land through the blessings of education. Luke, the eldest, is accepted at teachers college – despite having struggle mightily through school – but before he can enroll, the Morrison parents are killed in a collision with a logging truck. He gives up his place to stay home and raise his younger sisters -- seven-year-old Kate, and Bo, still a baby. In this family bound together by loss, the closest relationship is that between Kate and her older brother Matt, who love to wander off to the ponds together and lie on the bank, noses to the water. Matt teaches his little sister to watch “damselflies performing their delicate iridescent dances,” to understand how water beetles “carry down an air bubble with them when they submerge.” The life in the pond is one that seems to go on forever, in contrast to the abbreviated lives of the Morrison parents. Matt becomes Kate’s hero and her guide, as his passionate interest in the natural world sparks an equal passion in Kate. Matt, a true scholar, is expected to fulfill the family dream by becoming the first Morrison to earn a university degree. But a dramatic event changes his course, and he ends up a farmer; so it is Kate who eventually earns the doctorate and university teaching position. She is never able to reconcile her success with what she considers the tragedy of Matt’s failure, and she feels a terrible guilt over the sacrifices made for her. Now a successful biologist in her twenties, she nervously returns home with her partner, a microbiologist from an academic family, to celebrate Matt’s son’s birthday. Amid the clash of cultures, Kate takes us in and out of her troubled childhood memories. Accustomed to dissecting organisms under a microscope, she must now analyze her own emotional life. She is still in turmoil over the events of one fateful year when the tragedy of another local family spilled over into her own. There are things she cannot understand or forgive. In this universal drama of family love and misunderstandings, Lawson ratchets up the tension, her narrative flowing with consummate control in ever-increasing circles, overturning one’s expectations to the end. Compared by Publishers Weekly to Richard Ford for her lyrical, evocative writing, Lawson combines deeply drawn characters, beautiful writing and a powerful description of the land.
Some years have passed since the Crow-Girl set off on a journey, met Eidi and her mother, Foula, along with a few others, and persuaded them to come live near the little cove where a brook runs out to the sea. But when Foula has another baby, Eidi feels there's no longer room for her in the settlement. So she leaves Crow Cove to make her own way in the world, hoping to help her old friend Rossan with his wool out on the heath. Fate, however, brings her to a harbor town where she must find work, and she takes a position as a weaver in the household of a wealthy merchant. In town, Eidi faces disturbing reminders of her past. She also meets a neglected boy named Tink and soon makes a decision that changes the course of both of their futures. The second book in the Children of Crow Cove series is beautifully written in Bodil Bredsdorff's spare style and will deeply satisfy fans of The Crow-Girl and new readers alike.